Susan Auriemma
Growing up just steps from the ocean, Susan developed an innate connection to the soothing effects of waves—their sights and sounds fostering a deep sense of tranquility. Through her fine art pieces, she brings this serenity into any space.
SUSAN AURIEMMA | Middletown, Rhode Island, USA
Juror’s Choice Award
St. John Morning
26 x 42”, photograph on watercolor paper
$1950
Twilight 2
23 x 24”, photograph, dye sublimation on aluminum
$1450
Foggy Day
19 x 19”, photograph print on watercolor paper
$1100
Statement // Susan Auriemma's photography features softened textures and colors that evoke a sense of calm. Growing up just steps from the ocean, Susan developed an innate connection to the soothing effects of waves—their sights and sounds fostering a deep sense of tranquility. Through her fine art pieces, she brings this serenity into the home.
The Echoes of Light Collection by Susan Auriemma Photography reflects the artist's intention to inspire peace. Susan achieves this effect by softening images of waves and water using a technique known as Intentional Camera Movement (ICM). This method subtly blurs the image, preserving enough detail for the subject to remain recognizable while avoiding complete abstraction. Each piece in the collection is presented in one of two ways, both designed to evoke the impression of a painting rather than a traditional photograph.
One presentation style involves printing the image on matte metal with a white float frame, eliminating the need for glass between the viewer and the image, thereby suggesting the appearance of a canvas painting. The other approach involves printing on watercolor paper with a deckled edge, displayed in a white shadow box, mimicking the presentation of a traditional watercolor painting.
Many viewers, upon seeing this collection, initially believe the images are paintings rather than photographs. The artist considers this the highest compliment, as it confirms her intention has been successfully realized.
CURATORIAL STATEMENT
Nedret Andre’s work arrives at a moment when Boston’s creative and corporate communities are being asked to think more expansively about responsibility, place and impact. Through her practice rooted in intentional observation and material sensitivity, Andre draws our attention to fragile coastal ecosystems—not as distant environmental issues, but as living systems that shape our economy, culture and our collective future. The work operates at the intersection of aesthetics and advocacy. Nedtret’s work is visually compelling, intellectually grounded and also deeply attuned to how rising waters, shifting shorelines and human intervention redefine the spaces we inhabit. This resonates with us at Juniper Rag and with our juror, who is invested in healthy coastal environments. From a curatorial perspective informed by Jess Klay’s careful choices and Juniper Rag’s forward-leaning ethos, we see Andre’s work as especially powerful in public-facing environments. Offices, lobbies, and shared corporate spaces are no longer neutral backdrops. They are cultural statements in the most demonstrative way. When companies integrate art that reflects ecological awareness, they signal leadership, accountability, and long-term thinking. The presence of this kind of work fosters daily engagement, encourages reflection, and contributes to the employee wellness that Jess speaks about—reminding people that their work exists within broader environmental and civic ecosystems. For organizations seeking cultural credibility, Andre’s work offers an immersive connection. It establishes a visual language of care and consciousness, positioning a company as an active participant in the future of its region. In a coastal city like Boston, that message resonates deeply. Art in public and professional spaces becomes a form of leadership—shaping how teams feel, how visitors perceive a brand, and how institutions demonstrate their commitment to community, environment, and the power of ideas. —Juniper Rag